The Billie Burke Ziegfeld Award

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he Billie Burke Ziegfeld Award Opens to Applicants Starting July 29, 2019
A $10,000 Grant for a Female Musical Theatre Composer

The Ziegfeld Club, one of the first New York City performing arts charities to benefit women is thrilled to announce that they will offer the Billie Burke Ziegfeld Award for the Fifth consecutive year in a row. 
 
A prestigious grant in the amount of $10,000, The Billie Burke Ziegfeld Award aims to celebrate an emerging female composer or composer/lyricist who compellingly demonstrates outstanding artistic promise in musical theater composing and clearly demonstrates how the grant money & mentorship will further her artistic career.
The application process will remain open from July 29 through August 23, 2019.

The recipient of the Billie Burke Ziegfeld Award will be selected by a committee of industry professionals chosen by the Ziegfeld Club and will be presented at a private reception in New York City in November 2018.

Interested applicants can submit all application materials (see list below) via email to submissions@theziegfeldclubinc.com.

The following application materials are required for consideration:

Demo recordings of 3 contrasting songs from at least two separate original works of musical theater. Professional recordings are appreciated but not necessary. Piano-and-vocals are sufficient. The songs should be sent as individual MP3 files, and labeled with both the candidate’s name and the songs’ titles (Last Name, First Name- Title). Applicants retain all copyright of their work. Please do not submit live recordings.

Dramatic context and lyric sheets. Please include piano/vocal music, or scores if available.
An Artistic Statement of one page or less (no more than 500 words) describing your work in musical theater, and how the Billie Burke Ziegfeld Award will aid you in your artistic and professional goals. 
A current Resume that lists your experience and production history as a musical theater composer. Applicants will be considered eligible as emerging artists if, in the judgment of the committee, they have not already received substantial recognition in American musical theater.



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